Bellflower – 2011
plot: Bellflower follows two friends as they venture out into the world to begin their adult lives. Literally all their free time is spent building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang “Mother Medusa”. While waiting for the world to end, their call to excitement comes unexpectedly when one of them meets a charismatic young woman and falls hard in love. Quickly integrated into a new group of friends, they set off on a journey of betrayal, love, hate, infidelity and extreme violence more devastating and fiery than any of their apocalyptic fantasies.
Let me start off by saying words can hardly explain how much i loved this movie. so pardon me if this will be perhaps yet another very partial pretend-review of a movie, but after all, this is my damn movie blog so you guys deal with it or leave now. Bellflower is up there in the top 3 movies i have watched this year, next to Drive and I Saw The Devil. it touched me in so many ways. so many real, raw, visceral ways. but let’s start with a little back story.
Bellflower is an indie 2011 movie written and directed by Evan Glodell, who is also the protagonist of the movie. it’s essentially, at the poster says, a love story. of many kinds. first and foremost we have Aiden and Woodrow (Evan Glodell), two best friends who move to LA from Wisconsin, with a common passion for Mad Max and homemade pyrotechnics. they are set on building their own homemade flamethrower and a replica of the Medusa car, in the hope that a global apocalypse will occur and clear the runway for their imaginary gang
in the meantime, you know, they’re just boys being boys. there’s lots of partying, laughing, fighting, and especially drinking. tons and tons and tons of it. then there’s the girl. there’s always a girl, isn’t there? Woodrow meets her and instantly falls for her, and then shit starts hitting the fan. you could very easily compare her to a Fight Club’s Marla of some kind, or even better, to an Eternal Sunshine’s Clementine. the girl is wild and young and carefree and nutty on the side. the two of them, on their first date, decide to go on a spontaneous road trip to Texas, and are pretty much inseparable since.
this seemingly strange but mostly romantic movie turns progressively (MUCH) darker as their relationship crumbles, and the rest is a voyage that takes on surreal, truly apocalyptic notes that more than one reviews rightly describes it as a generational statement. the people in the movie try to find themselves, and try to find something bigger than themselves, something to believe in even in a post apocalyptic fucked up world that seldom offers means to grab onto reality.
and what a grand journey that is! Evan Glodell worked on this movie for years, shot it with a non existing budget and a crew of 11 dedicated people and built most of the props, including the flame throwers and muscle car. also, at some point in the movie he grows a beard and is a total fucking babe. but i digress. Glodell not only wrote, produce, directed, co-edited, and starred in his movie, but he also built a custom camera for it, a ”Coatwolf Model II digital cinema camera who looks like a steampunk wet dream, from the old-school bellows on the front to the hand-machined nameplate on the side”
what more do you need as an invitation to hurry up and watch this? how about a hot beard picture?
alright, i lied. that wasn’t for you. it was entirely for my pleasure.
seriously though.. this movie is awesome. i hope this is the start of a very long, brilliant career for this young director who managed to make yet another indie gem out of virtually nothing. and to hell with the huge hollywood blockbusters.